Runaway Wok Updated!

 This has been a favorite post for several years but it was time for an update - get the google slide here! Please note this will force a copy. 

Here are a few pages from the google slides.

Enjoy!

Gong Xi ,Gong Xi Song for Lunar New Year!

 There is probably no other song more recognizable at Lunar New Year than Gong Xi, Gong Xi (Congratulations, congratulations!). 

Many thanks to my friend, M. Kang, for sharing the English translation and the fan dance ideas for this song! 

The full slide set is available here.

Enjoy! Xin Nian Kuai Le! (Happy New Year)

Chinese New Year Rabbit Song Story

 My sweet friend Melanie K. shared this with me and my students loved it. It is shared here with her permission.

To Whom It May Concern: An Open Letter to All

 

The ending of a year is a contemplative time for me.  Thinking about the past year leads to thoughts of what I want to change and improve upon in the coming year. This is a letter I have wanted to write for a while and one which I wish someone would have shared with my first year teacher self and continue to share with other music educators. I hope it encourages you.

To Whom It May Concern:

I don't teach music. I teach children music. There is a big difference in what and who is centered in those two sentences.

Teaching music begins not with the teaching of music concepts and skills, but with focusing on WHO we teach. Children first. That means that for most of us who teach elementary music, there is a steep learning curve in understanding the wide range of developmental ages and stages we teach. In a single classroom, we have at least five, and often MANY more various stages of typical childhood development.  Add to that neurodivergence, medical and cognitive differences, social and emotional variances, and cultural and personality differences and there is much to be learned.  

We have a responsibility as music teachers who teach a high quality music curriculum; a responsibility that allows all students to experience music from people around the world without bias. High quality music should not include music that is problematic, questionable, or racist. Do your research and don't rely on others to do it for you. Google is free and available for all.  Music history, musicians, and music created by various identities, religions, and genders will be used in our classrooms.  Identity formation is a critical aspect of social development in children as they develop sense of self, understanding, belonging, and acceptance.  The idea that classroom curriculum should serve as "windows and mirrors" for children has been around for over 30 years - first coined by educator Emily Styles in 1988. Approaching children's music and music education through the lens of windows, mirrors, and sliding glass doors prioritizes diversity, honors cultural experiences, and promotes empathy and understanding.  It also helps all children to feel included and a part OF, not apart from, as they see themselves in the music and musical experiences.

Our greatest responsibility is not in data collection, meetings, trainings, and PD's that are unnecessary, irrelevant, or do not promote the advancement of our craft and art. Our greatest responsibility is to help each child become the best version of themselves which means everything we do should be steeped in doing what is best for children, not adults.  Children are at their best when they feel seen and loved. It isn't always easy to love and even like every child and the "prickly pears" and "frequent fliers" can be downright difficult.  It isn't always easy to connect and be relational with every child. The reality is we sometimes struggle to find just one way to connect with a child. But to that child who finally feels seen it means the world.  Find the one thing.

There are many outside forces demanding teachers time, talents, and energy.  Music teachers don't stop being musicians or music teachers at 3:45 when they are "off the clock."  Music teachers often teach private lessons or have secondary jobs directing ensembles or playing or singing in adult music ensembles.  We often listen to music passively while wondering how to create a lesson to go with it. We have families and lives outside of school.  Boundaries are necessary - hold to them and live your life.  Stop comparing yourself to others and start advocating for yourself. Period.  Do the next best thing for you. 

Finally, be kind. To yourself, your fellow teachers, to your students, and to strangers.  A kind word or gesture goes a long way in this filtered world where "likes" and "followers" dominate. 

With much affection, 

Jingle Bells (INSTRUMENT, Not Song)

 I love the distinctive sound of jingle bells.  

I no longer use the song, Jingle Bells, in my classroom as it is rooted in Blackface Minstrelsy and has some sexual innuendo in the song.  Read more about that here, here, and here.

So here are my top 5 ways to use jingle bells in the music classroom - note, these are all WINTER songs and activities about sleighing or wintertime, not specific to Christmas. 

1.  Five Little Jingle Bells from Lynn Kleiner. 

This song is the PERFECT replacement for Jingle Bells and my kids LOVE it! You can also see the video here from one of my Facebook posts. 

2. Make Jingle Bell bracelets!  

Use jingle bells (Dollar Tree often carries them in the craft or holiday section this time of year) and pipe cleaners.  Each student gets 4-6 jingle bells to thread onto the pipe cleaner. Twist the ends and trim for size. The Kindergarten and First Graders are often over the moon with their special bracelets.  This is also great fine motor control work and counting (I let them make two, one for each arm, so they have to get 10 bells, then cut them in half; 5 bells for each bracelet).

3. Jingle Bell Parade from Music K8.  Each student with jingle bells line up behind you and you lead them on a parade throughout the room. This works well for a concert entry or exit with littles, too.  

4.   Bucket Drumming with Jingle Bell Rock - the version of the song I use is from Music Connection from Silver Burdett Ginn, Grade 5, CD 10, track 10.  You can use other versions and adjust accordingly (most do not have the interlude which is easily omitted).

Jingle Bell Rock Bucket Drum Routine  Click for the full post including score and directions.

5.  Everybody Sing Jingle Jangle from Charissa Duncanson. Check out her post about the song here.

Play and Sing Along

Song only

Enjoy!

Great Big House in New Orleans

 I love this song at this time of year as there is SO much that can be done with it- add an ostinato with pie flavors, perform the dance, talk about dance styles, create a new dance, student created B Section, and a game from the wonderful Mrsmainsmusicians on insta! 

Grab the full google slides here. Please note this will force a copy. 

For the game, I glued my pies to paper plates.  This helps them to slide easier as most inexpensive paper plates have a wax coating on them.  This also makes them round and pie shaped! 

Here are a few slides from the set.

Enjoy!

The House Around the Corner

 I am always looking for songs that help my recorder students with specific areas - and often end up writing my own pieces to fit their needs. Since switching the starting pitches from BAG to GE I have been delighted that beginning with G and E opens up so much bitonic and tritonic (SM and SLM) songs and once we add low D we have access to some wonderful pentatonic material!  

We are working on some pre-improvisational ideas and so The House Around the Corner was born this week!  My students needed more practice with low E, and they were clamoring for something scary and spooky.  This song can go in various directions - spooky or with a more autumnal/wintry theme. 

I sang this song to them while playing the accompaniment.

Then I displayed these four 4-beat rhythm cards.

As we have been working on something we call the Wizard's Challenge using In the Hall of the Mountain King, I tell the students this rhythm might be familiar. Then I sing it using the word "dude" (which is what we "whisper" when playing recorder) and their little minds are blown that this is the rhythm of the melody repeated over and over.  Then we play the first card (top left) only using "E". Then play through each subsequent card using "E."  Play the top two cards, then the bottom two, then the full 16-beat phrase. 

I change the bordun to quarter notes  E B C B, which sounds very spooky, and we play the full phrase using E. 

Next, change the quarter notes to G. Play full phrase.

Finally, change the 3rd card (four 8th note pairs) to B and have students work on the transition from third card to final card (transitioning from B to E) and then we play the full phrase.

Perform as A (song), B (recorder melody), A again. Students could also play the melody as it is a simple La Do Re Mi song. If you have Carol King's Recorder Routes you could combine this with Who Has Seen the Wind, another LDRM song. 

The students loved it and felt so successful! The next time we will work on improvising beats 2 and 4 of   the third measure and will add zombie movement (as they requested), whistling tubes, flexatone, black scarves, and spring drums. They also want to add gongs, cymbals, and other things so it is sure to be a piece we will record to send home to families. 

Enjoy!